Over the last few weeks, I have taken a little time away from a larger project to carve a smaller piece. I always have several pieces going at the same time, especially when I am working on a larger work. In the video below, I have recorded a time lapse of the carving of this sculpture from its start as a rough block, all the way to the finish process. You will see that the most time spent is the sanding. It is the part that makes this piece of limestone able to hold the gloss sheen that the sealer adds. I also used linseed oil on this piece to give it some color. Watch the video and let me know what you think.
On July 29th, I posted that I had hit a milestone on my YouTube site. I had posted 30 videos and one of them was at 221 views. Since then, I have posted a few more videos and have hit another milestone on views.
My most popular video is still the video on splitting limestone with feathers and wedges. It is a time-lapse video that shows me splitting the off-fall from one of my birds for "Cor Liberum". I know many folks who post on YouTube would laugh at being happy about getting a video over the 300 mark in views, but everyone has to start somewhere. This video currently has 328 views.
The other cool thing is that my videos are increasing in views faster now than they previously had. It is partly that I have been sharing them on this blog, but there must be something more to it than that. For example, the splitting limestone video was posted on August 20, 2017. My latest video, "Carving an Indiana Limestone Vessel" was posted August 28, 2018, and has already reached 108 views. While the splitting limestone does far exceed the views of the vessel video has received almost 1/3 the views in 6 days. This one is definitely an anomaly as many of my videos have not even come close to 100 views. But the cool thing is that all of the videos are steady increasing in views. So, if you like to see the way stone is worked and carved, subscribe to my channel https://www.youtube.com/channel/UCLZ4k8l6V2l_otGckDxxQ5A and watch my videos!
I started carving an Indiana Limestone vessel a few months ago. However, I have been so busy with other projects that I have not been able to get back to it. The stone is a cut off from my Norton commission, "Cor Liberum". I am happy to say that the off-fall from that project has provided a steady source of stone for a while.
This piece will be similar to the piece I carved about a year ago, "Peace Lilly". I will be sanding and polishing this piece to at least 400 grit paper and then putting a sealer on it. I will also add a wax finish to the piece. It will give a rich color to the piece that is not typical of limestone. However, it is a very warm and pleasing finish for indoor pieces.
Over the last few weeks is I have been unable to work down in the studio on my larger work because of a sick dog. The only good things about this is that I have had time to work on some of the small pieces that I can do in the house.
Since February last year, I spent the vast majority of my time on a large public commission for Norton Hospital. The sculpture was too large and complex to have time to work on anything other than this one piece. I had other commissioned work, but could never feel confident to get to that, much less the myriad of ideas I have in my head just waiting to find their way into a piece of stone. That commission installed in April. Once complete, I immediately began work on the two larger pieces that have been delayed. I started carving a fountain that is a commissions well as an abstract piece for a show later this summer. While it was great to start in on some fresh ideas and pieces, I still had some small work that I had started prior to starting the Norton commission, as well as the many ideas that are just waiting to burst out of my head. I really thought that after the Norton sculpture was completed I would have time for both the larger work and the smaller pieces. It just hasn't happened.
So, two weeks ago one of our dogs got sick. Because of the nature of the illness, she needed constant supervision. That meant that I couldnt work in the studio. While that has put some stress on finishing the larger work, it has provided the room in the schedule to complete a few of the smaller pieces that I has already started as well as get some ideas out of my head.
The untitled tortoise shell alabaster piece that is pictured here is one of the pieces I started over a year ago. Because of the difficulty of the stone to carve, I had set it aside in favor of other pieces several times. That piece is now complete.
I also had started a soapstone baboon that was not going in the right direction. I set that one aside as well and had not been able to return to it. I have started back into this one as well. (You can also see my dog is up and moving now!!)
Not only did I have the two (and many others) that I started and have been unable to get back to, I also have been looking at so many of the pieces of stone in my studio that I have not been able to start. That has now changed.
I have started and completed two other small pieces. The first was a piece that actually broke off of the large figure from my Norton commission. When it broke off, I was devastated. Several times I started to throw the piece out because it disgusted me. For some reason I never did. I am glad I did not, as I feel it turned out into a pretty nice piece. I also started and finished a piece of Bordiglio Marble. This is a piece of marble that has been split off of a 3/4 life-size figure I am in progress on. It was a thin piece and I thought I saw something else in it, but it changed its mind and we ended up with the nice little piece that is on the double poles.
So, the good news is that my dog is on the mend and next week I will be able to get back into the studio. But what it taught me is that I still need to take a bit of time to work on the small pieces that have provided such a great sense of accomplishment this past two weeks.
Over the past two months I have been frantically working on getting ideas out of my head and into stone. I have so many ideas that I was not able to get to while working on my Norton Hospital commission. I also had several ideas started before the commission and hadn't been able to get back to them to finish them. So finally, I have completed my first gallery small sculpture in months.
This piece is untitled as yet, although I have had the suggestion that it looks like a sting ray. That sounds interesting, so that may end up as the title. Even though the title is not complete, the rest of the piece is. This was one of the pieces I started before the Norton commission. It was a very difficult stone to carve. All of the veining created some fragility. I spent a lot of time changing direction and pressure to keep pieces from breaking off. There is also a big difference in the density throughout the stone. I would be carving along on one of the harder areas and all of the sudden the grinder would dig in. It was tough to control the pace of the tools. All that bings said, those difficulties are caused by things that create such a beautiful stone! So, as soon as I finished this piece, I ordered some more pieces!
From June of 2017 to April of 2018, I really only worked on my largest commission, “Cor Liberum”, a sculptural experience for Norton Hospital, Audubon campus. While I enjoyed working on that piece, because of the scale and timeframe, I did not work on anything else. I have so many ideas in my head that need to get out. This is the only time I wish I were a painter. They can move a lot faster.
So, once I finished the Norton piece, I have been scatter brained. I started carving so many pieces I can’t keep them strait. Slowly I am narrowing down the work. I finished two pieces which helped. I have set two others aside. I work on one just on the weekends and the final one, the largest of them, is also closing in on being done. This is good as I have two new commissions to get started on.
I started carving a nude in Bordiglio marble, an Italian marble, the first time I have carved this stone. I don't know if it is all of the Bordiglio, but at least this particular piece has such strong bedding planes, that the stone is actually fragile. With this work that I am carving on now, the goal is to get it very thin and delicate. I have lost one piece of it already and have a section that feels a little iffy. So, the stone typically tells you which way it wants to go, this one maybe dictate a little stronger than most. Even with that challenge, the stone is so pretty, that it is well worth the struggle.
in. Recent post, I talked about how sometimes you think you know where you are goi with a piece and then the stone says “nope”. Then there are times when, after you and the stone have agreed on a direction, friends give you ideas to consider for a different direction. On this piece, both occurred.
This piece started its life as a part of the leg of my Norton commissions large figure. When standing the figure up, it broke off. After I stopped crying and really took a look at this piece, I liked the shap of the piece. With a little refinement, I thought I had something, but the stone disagreed.
In the first photo, you can see the original idea starting to take shape however, the stone just kept fighting me. As I worked around the stone, certain views worked, then others would work, but the stone wouldn’t cooperate to look right as a whole. So, I finally listened.
the second photo shows where i got to after listening to the stone. By freeing up part of the front, it started to feel right. I moved on and finished carving and sanding. I decided to stain it and was contemplating how to base it.
I posted the third photo on Facebook and got an interesting suggestion. One of my friends suggested hanging the piece rather than basing it. I haven’t totally decided, but am leaning towards that.
Check back and see how it turns out.