More Progress on the Untitled Indiana Limestone Piece I am Carving

I have made a lot of great progress on the Indiana Limestone piece I am currently working on. It is a pretty complicated piece to carve because of the turns and twists going on throughout the piece. Until it gets narrowed down in some areas, I have to put a lot of pressure on the stone where the gaps are tight. If I try to go too fast in narrowing to lessen the pressure, I can get rid of stone that I might need later on. 

Much of this guess work could be eliminated if I did a moquette first. However, I am not a fan of doing that for these free form pieces. I think the fun in creating this type of sculpture is to just start drilling, carving and grinding until you think you are finished. Now, at times that leads to pieces that get stuck and don't want to cooperate. You get going and realize that area that you just spent a ton of time on looks terrible. I have several pieces that are sitting on the side of the studio that are in that state. I will look at them every once in a while to see if I can figure something out to make them better. Sometimes, you have to get rid of a section before it ever gets where you want it.

With this piece, I thought I might have that problem with the lower section. Fortunately, it is moving in the right direction. I still have a little left to figure out at the bottom of the piece. Specifically, I have to figure out how it will tie into the bottom inch of the piece that I plan to leave a a mounting section. But, it is definitely moving along well and I think I have a pretty good plan. Ultimately, this piece will sit on top of another piece of Limestone that is 18" x 18" x 36". This will give the piece the height I want to get the lower section more viewable.

New Sculpture Completed

Over the past two months I have been frantically working on getting ideas out of my head and into stone. I have so many ideas that I was not able to get to while working on my Norton Hospital commission. I also had several ideas started before the commission and hadn't been able to get back to them to finish them. So finally, I have completed my first gallery small sculpture in months.

This piece is untitled as yet, although I have had the suggestion that it looks like a sting ray. That sounds interesting, so that may end up as the title. Even though the title is not complete, the rest of the piece is. This was one of the pieces I started before the Norton commission. It was a very difficult stone to carve. All of the veining created some fragility. I spent a lot of time changing direction and pressure to keep pieces from breaking off. There is also a big difference in the density throughout the stone. I would be carving along on one of the harder areas and all of the sudden the grinder would dig in. It was tough to control the pace of the tools. All that bings said, those difficulties are caused by things that create such a beautiful stone! So, as soon as I finished this piece, I ordered some more pieces!

Starting A New Commission

I recently finished my largest commission and have been working on doing some non-commissioned pieces. That is very freeing, but it is also very fun and amazing that someone is interested enough in my work that they would be willing to trust me to create a piece for them without seeing it completed. So today I started in on a new commission. 

My new piece will be a fountain that will match a bench that the owners purchased from me a few years ago. I have never done a fountain before so this will be a cool experience. I will be carving this piece out of Indiana Limestone, the same stone as the bench they already have.

Starting on a new piece is fun, but there is a bit of not so fun part to it. One of the pieces I want to use is buried under a ton (probably literally) of other stone. So the not so fun parts of this commission will be to dig out this piece of stone! 

New Sculpture in the Works

​From June of 2017 to April of 2018, I really only worked on my largest commission, “Cor Liberum”, a sculptural experience for Norton Hospital, Audubon campus. While I enjoyed working on that piece, because of the scale and timeframe, I did not work on anything else. I have so many ideas in my head that need to get out. This is the only time I wish I were a painter. They can move a lot faster. 

​So, once I finished the Norton piece, I have been scatter brained. I started carving so many pieces I can’t keep them strait. Slowly I am narrowing down the work. I finished two pieces which helped. I have set two others aside. I work on one just on the weekends and the final one, the largest of them, is also closing in on being done. This is good as I have two new commissions to get started on.  

Bordiglio Marble is a Beautiful Stone, But Difficult to Carve

I started carving a nude in Bordiglio marble, an Italian marble, the first time I have carved this stone. I don't know if it is all of the Bordiglio, but at least this particular piece has such strong bedding planes, that the stone is actually fragile. With this work that I am carving on now, the goal is to get it very thin and delicate. I have lost one piece of it already and have a section that feels a little iffy. So, the stone typically tells you which way it wants to go, this one maybe dictate a little stronger than most. Even with that challenge, the stone is so pretty, that it is well worth the struggle.

Three In-progress Pieces are Under Way

After working on my Norton Hospital commission for so long, I have had a flood of ideas flowing from my brain that I almost can't control them. I have started on several new pieces and have a new commission that I also have been working on the moquette to show the client. I have set a rotation to work on the various pieces so that I keep sane!

The first is from a piece of Tortoise Shell Alabaster. This is a really cool piece of alabaster I have had for about a year. I started carving it soon after I got the rock, but it is a very fragile stone so I put it aside. Then the Norton Commission happened and I was swamped. Now that "Cor Liberum is done, I saw the stone sitting on the shelf and it started calling to me to say I know where I want to go. It has such great color and dimension, it was telling me all I had to do is cut some cool shapes in it and it would work. 

The second piece I am working on right now is a larger Indian Limestone piece that I am going to submit to the Josephine Sculpture Garden show. Josephine is a very cool sculpture garden in Frankfort, KY. The owner, Melanie VanHouten converted her family farm into a sculpture park. I really hope that my work is chosen to be part of the show as I think the garden is such an awesome deal. So, I am back to working on a piece I started about two months ago when I couldn't stand to not get the idea out of my head and committed to stone in at least a partial way. The cool thing was that because of finishing up "Cor Liberum" I had to set this piece aside. I needed that from a scheduling point of view, but the piece needed to sit and let me understand where it wanted to go. The stone and I have agreed on a direction and I think I have a better understanding. It is funny how stone communicates with you. Sometimes it says that it wants to go in a different direction. You just have to listen.

The third piece I am working on is a really different idea for me. Several years ago when I was working in steel, I started welding up an abstract sculpture of a sail boat. the plan was to have a piece of angle iron serve as the ship with a steel sail. I am really not doing any metal sculpture now. However, I have done a lot of cleaning to be able to have space to store all of the left over stone from "Cor Liberum" and I ran across this welded start.; Since I already had this welded piece, I thought, rather than throwing it out,  it would be nice to go ahead and finish it. I have decided to try a limestone sail to see if that works with the rest of the sculpture. Stay tuned to see how it goes.

A Change in Direction Continued

in. Recent post, I talked about how sometimes you think you know where you are goi with a piece and then the stone says “nope”. Then there are times when, after you and the stone have agreed on a direction, friends give you ideas to consider for a different direction. On this piece, both occurred. 

This piece started its life as a part of the leg of my Norton commissions large figure. When standing the figure up, it broke off. After I stopped crying and really took a look at this piece, I liked the shap of the piece. With a little refinement, I thought I had something, but the stone disagreed.

In the first photo, you can see the original idea starting to take shape  however, the stone just kept fighting me. As I worked around the stone, certain views worked, then others would work, but the stone wouldn’t cooperate to look right as a whole. So, I finally listened.

the second photo shows where i got to after listening to the stone. By freeing up part of the front, it started to feel right. I moved on and finished carving and sanding. I decided to stain it and was contemplating how to base it.

I posted the third photo on Facebook and got an interesting suggestion. One of my friends suggested hanging the piece rather than basing it. I haven’t totally decided, but am leaning towards that. 

Check back and see how it turns out.  

Using Wood Stain on Indiana Limestone

I have started experimenting with some of my limestone pieces. I have used wood stains to add a different feeling to the work. This is my second attempt. I don’t have a title for this one yet, and it is still in progress. I have to figure out how to base it. I have had many suggestions to hang it. But, that is beside the point. As you can see, this piece is not the standard color of Indiana limestone. I used a blue universal wood dye to add color. I think it is pretty cool. What I don’t know is how it will hold the color if it becomes an outdoor sculpture. That is one of the fun parts of being an artist is that you get to experiment to see what happens.